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Grounded in rigorous fieldwork within frozen environments, I employ cyanotype printing to trace molecular changes in ice as it transitions through various phases. In parallel, I document the surrounding terrain using a medium-format digital camera.
Back in the studio, I scan the cyanotypes at ultra-high resolution to examine their intricate details. These prints reveal abstract visual narratives of dendritic patterns that echo the fractal geometries found throughout nature. The resulting compositions evoke celestial constellations, crystalline ice structures and the meandering paths of river estuaries.
In the final stage, I digitally reconstruct these landscapes, merging analog and digital photographic techniques into unified compositions. Select images are meticulously hand-cut and layered into sculptural dioramas that translate the dimensional qualities of the natural world into physical form.
By integrating both historical and contemporary technologies, this work seeks to reflect on the need for a sustainable, symbiotic relationship between humanity and nature. I believe that true preservation of life-sustaining ecosystems (such as the cryosphere) depends on our ability to balance innovation with ecological wisdom, forging a new kind of technological equilibrium.