Artist Statement
My work lives at the intersection of art and environmental science. Through close collaboration with researchers, I translate glaciological fieldwork and cryosphere data into immersive installations, sculptural forms, and expanded photographic works that make climate change physically and emotionally tangible.
Rooted in both contemporary methods and historic photographic processes, my practice moves between precision and unpredictability. I work with light, chemistry, atmosphere, and landscape; often creating pieces directly in the environments they reference. These material processes allow the work to carry a physical trace of place, time and ecological transformation.
Aligned with the United Nations’ International Year of Glaciers’ Preservation and the Decade of Action for the Cryosphere, my current work focuses on the rapidly changing life cycles of ice. Glaciers are not only symbols of climate change; they are living reservoirs that shape freshwater systems, ecosystems, and human futures. By translating scientific observation into sensory experience, I aim to make distant environmental processes feel immediate and personal.
Beyond the studio, I engage communities through public art and educational initiatives, using both emerging technologies and analog techniques to foster environmental awareness and stewardship. I believe art can create space, not just for information, but for connection, reflection, and a deeper sense of responsibility to the living systems that sustain us.